Ed Eales-White

ed eales
Growing up did you always want to perform?
Yes.  Although it wasn’t overt, I didn’t perform in the school plays or have any drama classes. I used to perform impressions for family and friends, and generally act as a source of light entetainment. I also loved the glory moments of sport. In football I was always searching for that moment I dribbled past everyman on the pitch and scored. So egotistical and ambitious from an early age.
How did acting come about?
I guess as I grew up, it became increasingly inevitable. Drama was the subject that captured my imagination at school and I followed that onwards into A-Levels. I then studied Drama at University, without actually contemplating Drama school. It most definitely took a little while post university to consider myself a fully fledged Actor. I did a short acting class at New York Film Academy, various short courses in London, a bunch of low budget short and feature films, fringe productions and eventually I started to gain confidence in what being an actor meant. Although that hasn’t stopped and I’m not sure it will! I’m continually learning on the job, from rejection, from success and trying to challenge myself.
You also write, when did you decide to start writing your own stuff? 
University. Myself and three others (Ed, Rich & Joe) decided to write and perform our own fortnightly comedy sketch show. It was a great outlet to try things out as a performer and writer. From there I went on to create, write & perform in sketch group Clever Peter (with Will, Rich & Dom) it took us to the Edinburgh Fringe on multiple occasions, critical acclaim and a BBC Radio 4 series (2012).
What do you enjoy about the writing process?
My writing has tended to be on my feet or rather that’s my preferred writing style, as I love the collaboration with other people and find it easier to express ideas by showing rather than writing it out. To date I have not found great enjoyment and enlightenment in sitting down and writing alone, but I’m not discounting the future, who knows.
You have Sketch show ‘Bucket’ Can you tell our readers about your sketch show. When did you start and how did the idea come about? When did you start working with Jon?
Yes. Bucket is a double act sketch comedy show, myself and Jon play stage versions of ourselves intertwined with sketches. We did our debut fringe show at Edinburgh 2015 and have recently finished a run of our show at the Soho Theatre. I’ve worked with Jon on and off since 2009, but this was are first full collaboration together. It’s best described as a very performance led sketch show, both in how it was made and the sketches themselves which tend to be things we have an interest or experience in performing.
bucket
What attracts you to the medium of theatre?
I love the immediacy of theatre. It’s live. There is no escaping what is about to happen, it’s very exciting. I also love the depth of characters that plays explore. Getting the opportunity to play Josh in a brilliant piece of new writing by Jon Brittain called ‘Rotterdam’ was great. I hope to be involved in more theatre in the future.
Actor Awareness is about creating a diverse culture in the arts, how do you feel about the talk of ‘not enough working class actors’. 
Well there’s not enough. It’s fundamentally about opportunity. People just want fairness, to feel like they have the same chance as the next person. Unfortunately, that isn’t the case. I’m not sure some people even register acting as a possibility or understand how they would go about getting into it.  So it can only be a good thing that people are talking and hopefully it will lead to an increase in opportunity, education of those opportunities and support for those that need it.
You have been to the fringe with your show, what advise to you give to newbies venturing to the fringe this year?
Take risks. Listen to your own voice. Don’t be disheartened if you don’t get big crowds, if you believe in what you’re doing then keep pushing and perhaps you will meet someone that lights up a new path.
What piece of advise do you give to any performer? or your younger self even?
Well everyone I’ve worked with is different, so don’t have blanket advice.  To my younger self I would say ‘No one knows what you want unless you tell them. If you’ve got something to show, show it.’

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