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Tom’s the Word

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What a Fantastic start to 2016 Actor Awareness has had! Our Women’s Night submissions have closed but our LGBT night submissions are open! We are looking for 6 shows! This will take place at the Bread and Roses Theatre on the 15th of March and the submission deadline is 24th of February. So the theme is LGBT (Lesbian, Gay, Bisexual, Transgender) the interpretation of the theme is down, you personally do not have to be LGBT to enter, your play has to just follow that theme. Actor Awareness has now secured 3 incredible venues to put on regular scratch nights such as The Bread and Roses Theatre, The Canal Theatre and Theatre N16. The current events we have planned is The Women’s Night on the 16th of February, LGBT Night on the 15th of March, Health Night on the 30th of May and the Actor Awareness Cabaret launch night in June. The documentary is going brilliant, we have some incredible interviews lined up such as John Challis, The Actors Centre and many more. Please if you want to get involved in any of our projects, get in contact.

Access for All- is it just a dream

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So it’s that time of year where hundreds of people, young and old, are auditioning for drama courses. Auditioning can be a very nerve racking and soul destroying experience. In the working world of acting I can walk into an audition room with composure; I can read well, hold myself and give off an air of professionalism. However, throw me into a room where people scrutinise and decide if you are worth 3 years of their time, I tend to crack a little. Last year I managed to secure myself a place on the Foundation course at Italia Conti Academy of Theatre Arts and the training is invaluable. Time is flying past so quickly due to the very active, full on nature of the course, proving to be a very worthwhile experience..

The only problem?…MONEY.

First off, the majority of foundation courses aren’t under student finance, so you have to muster up around £8500-£9000 for the course; and that’s excluding the living expenses whilst on the course itself. If you were doing a foundation course in something else at university you would get funded…but this is the arts. By most, arts courses are seen as frivolous and a waste of time. I personally don’t see my future career in the arts as frivolous, but the government seems to disagree. In my opinion, all Education should be free…but of course that’s being idealistic. The current government want to slowly take art from our schools. They don’t seem to realise how important design, art and the performing arts are to our society and socio-economic growth.

As a mature student I am ineligible for most grants and funding. Therefore, by the time I’ve finished my foundation course I’ll have racked up a massive loan, and if I even get onto a BA I’ll be working solid all summer to pay it off before I have to start the process of finding money out of thin air all over again!! How is anyone from an underprivileged background, be it a single parent or low income/working class family, meant to afford to get through or even apply to drama school when audition time arrives, knowing they will be overcome with debt! I am lucky in that I trained as a nurse first, meaning I have some source of income for the duration of my course; even if my income is low, I get by.

Recent data shows that within drama schools today, there are a lot of students from state schools and low income backgrounds. If I think of the students at my school, this is fairly accurate; not all of the pupils are well off. I think the main problem starts at school level arts education. The arts are not valued; they are under appreciated and pushed to the side as a less important part of the curriculum. I come from a state school and my passion for theatre does not derive from their input. I couldn’t sing, so I was rarely chosen to perform in school productions. My passion comes entirely from the need to tells stories and the inspiration I got from theatre; the escapism and humanity I felt from the shows I saw growing up as a young adult in London; they have made me who I am today and shaped my love of the arts. I have worked in schools and seen the huge disparity in the opportunities, and hopefully one day Actor awareness can start reaching out to these schools and help in some way to keep the arts a vital element of school life and child development.

The majority of drama schools in England are in London, and the rising costs of living in London pushes newly graduated actors from lower income backgrounds to find work to pay the rent, meaning they can miss auditions and opportunities due to work commitments. The price of headshots and showreels is forever rising, and casting website subscriptions can be a struggle to maintain. A working actor has a lot of work to do and a lot to pay for before they can even secure a job, network in the right circles or even get an agent; that’s why people from lower income backgrounds have a lesser chance of making it in the acting world, as these factors are all easier if you are from a more affluent background. Now this is reality, and I’m not saying if you have more money that’s ‘unfair’ on the rest of us. Talent hopefully prevails in this industry, but there needs to be a conscious effort from people in the industry to source a diverse range of actors; from casting directors, agents, producers etc. The people at the top need to make changes, and the government needs to notice that the arts are an intrinsic part of society.

Tanya Perry a teacher in London was a Graphic designer for years before turning to secondary education. Here is what she says about the government and it’s attack on the arts.

‘Well I think that it’s already on its way to being demolished. I don’t think they can ever truly get rid of it, hopefully. I think by demolishing it will lead to a shortage in the jobs that makes London the creative hub it is. Without arts there is very little culture. Without design and art our towns would be hollow, no cinemas, no theatre, no exhibitions, no galleries, little museums; our homes and our countries would be economically depressed. In design there are people thinking up new products, new ways to use technology, new ways to implement technology in products. There’s essentially nothing without art and design that has substance or character and we can’t compete with countries on a global scale, with whom treat the arts as integral to forward thinking and a intelligent society’

There needs to be more funding available to people of all ages in the arts industry, to help pay the raising costs of accommodation and the extra costs of drama school, such as books and materials.

I believe that drama school audition fees need to be regulated. The accredited schools should have a system where people from lower income families should be able to receive a discount or a free audition place. Each Drama school should be allocated free audition slots for lower income students. I’m not saying abolish fees, but why not make them reasonable. Most aspiring actors will audition for around 6 schools, and at £50 an audition, it isn’t cheap.

Some schools even make applicants who are applying for the BA and the MA pay for 2 separate auditions, even thought it only takes one audition; they decide which course you are appropriate for and recall you based on that.

One good thing that the majority of schools do is have their auditions held in different places across the country, meaning if you don’t live in London you don’t have to rule out applying there because you can’t travel all that way. However, it is expensive getting yourself all over the country to the auditions, and some schools, such as RADA, require you to travel for every stage…that could be up to 4 journeys!

If the government keeps making cuts and slashing away at the curriculum and funding, how long will it be till what we see in our theatres, in our films and on TV is not a good representation at all of the society we live in.

We’ve Got it All Going On

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So the deadline is closed for The Women’s Night! We had 48 submissions and obviously only 6 could be chosen. There is a fantastic variety here that i’m sure will go down a treat. Ticket sales will go on soon.

Congratulations again everyone and I look forward to seeing them all.

Plays

Subjunctive
Monologues of a Tired Nurse
Second Hands Gone
Route
Spill your guts
Speci-Man

Book tickets for Womens night : http://canalcafetheatre.com/EventPage.php?Eventld=44307

March’ Scratch Night’ is at Bread and Roses Theatre in Clapham on 16th March. Theme is LGBT. Please send submissions to tanheartssteph@gmail.com

Februarys Writers Night to be confirmed, please email tanheartssteph@gmail.com if you’re interested. This is a relaxed evening with an invited writer where people can bring ideas or scripts and get constructive feedback in a supportive environment.

We have exciting plans regarding a big fundraiser to help us get more projects off the ground so keep track of all this via @actorawareness on Twitter. Tom is also working tirelessly to get projects working and off the ground outside of London in places such as Manchester, Bath. To have a say in future projects follow us on Facebook and Twitter and watch out for when the next meeting is and come join in making the arts inclusive.

Marc Zammit

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MARC ZAMMIT

Marc Zammit was raised in Bethnal Green, London. Marc’s career started at the age of 12, training at “Rhodes Theatre School” and “Barking Broadway”. Marc then had his first TV appearance in “The Bill” as a guest star, also appearing in other British programs and dramas as a guest star such as “After you’ve gone”, “Silent Witness”. Marc has taken his career into the film world, and has appeared in a few British Indie feature films.

Marc is making headway in the film industry and here is gives us some insight into his challenges as actor and his projects.

What are your biggest challenges Marc?

I’m dyslexic so i would say it would come down to doing readings, and rehearsals, i work pretty solid solo when learning lines and rehearsing them as i feel i can master what i need to do more and plant the script and lines in my head, when I’m in rehearsals, or readings I’m more focused on reading it right than delivering my performance. Its a tough industry and its a 24 hour job, a very tough industry you got to have thick skin though industry is for tough people so if your not tough become tough because you will need it, make rejection your best friend, i feel some people race sometimes comparing there careers to other people, you just need to focus on you, your target, your mission, your story, your journey. racing and comparing your career to other people will only slow you down, and i would say lose your distractions, why your on a train don’t sit there wasting time playing games on your phone to kill time, learn your lines, read books, develop and progress.

Tell us about your recent film project….
Pandorica is a Sci fi, Fantasy, Adventure, it is a world reset! Where Thade, Eiren, Ares are on a trial to become the new leader! Every Trail is different. no expectations, expect the unexpected. It’s a great Script, Great Story plot and Tom Paton is the Director and he has created something brilliant, and it looks brilliant too, from what I have seen! I’m a sic fi Fan so when I got the voicemail from Tom saying I’d landed the role for Ares I knew it was the beginning of something amazing and I was on my way home walking in the rain Smiling like I had just won the Euro Millions; it is by far one of the best acting experiences in my acting career.

Homeless Ashes is a film your working on also, tell us more about that….

Homeless Ashes! yes its a feature film I’m currently working on and have put a lot of heart into it. its a film about humanity and how we are all equal rich or poor, to raise awareness of homelessness, it’s a big subject that needs to be noticed and to expand the awareness, someone doesn’t plan to be homeless there’s so many reasons and stories how people end up homeless. I hope ‘Homeless Ashes’ can show this affectively, but in a nut shell it’s about a young boy Frankie who runs away from his problems at home and battles his survival on the streets. We are currently filming the teaser, which I managed to get funding for, which I’m over the moon about; amazing support from people has made this happen! I’m doing the teaser to show investors and potential production companies what I can do as a film maker! The teaser is that step closer and will help get the funding for the full length feature film, which is the hardest part of Indie film making!

What attracts you to film?

Talent, Quality acting, directing, and the cinematography, just everything how its made! I love film, I don’t watch a film once I watch it 3-5 times! but I’m addicted to film literally!

Pandora Official Film Trailer